trailer for smokeheads

‘Goddamn, you play a mean banjo.’

Check this out. My mate Ewan Morrison has made this amazing trailer for Smokeheads, due out 3rd March, as it says in the video. He did this off his own back, in his spare time, and it’s fantastic. Deliverance meets Whisky Galore, indeed. The man knows is shit, so he does. I owe him a dram or two.

In other news, I’ve just been asked to write a feature for GQ magazine about my top ten whiskies. Also been interviewed by The Skinny and The List recently, and some other shit I can’t remember right now, cos I’ve had a couple of Aberlours – that won’t make it into the top ten, but it’s a decent gulping whisky.

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margins festival

Hey, I’m performing at Margins Festival. What the hell is Margins Festival? Four days of music and book events at Stereo in Glasgow Thursday 17th – Sunday 20th February. Each event is just £1 a ticket. £1? Really? Yes, really. It’s all been put together by those annoyingly talented young goons at Cargo Publishing.

Click on the link above to see the full line up, it’s pretty impressive. Liz Lochead, Tom Leonard, Ewan Morrison, Alan Bissett and great events hosted by the likes of The Golden Hour and Words Per Minute. I’m appearing on the Saturday night alongside great writers and good friends Rodge Glass and Kirstin Innes. I might be reading from Smokeheads, or a short story, or playing tunes – dunno, haven’t worked it out yet. Whatever, should be a laugh, and it’s just a fucking quid to get in! Shocking value.

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podcast and press coverage


OK, so I did a podcast a while back with Ryan van Winkle, the esteemed writer in residence at the Scottish Poetry Library. It was for the UNESCO City of Literature Let’s Get Lyrical campaign, running throughout February. Which is a lot of fun. Anyway, the podcast is up on their site and you can hear it here. It’s half an hour of blether, taking in Adam and the Ants and Motorhead. As I predicted, they edited out the hilarious bit where I told the listeners to all kill themselves. There’s an old Northern Alliance track at the end, if you get that far.

In other press news, I’ve been interviewed by The List and The Skinny, I guess those pieces will appear soon. I’ve also written a first-person thing about me, my book, the state of publishing and other affiliated nonsense for The Big Issue magazine. It’s out today, I think, although I haven’t seen it yet and it’s not online. As for reviews, I got news the other day that one’s coming in Gutter magazine, out at the end of Feb. Fingers crossed, eh?

And, erm, that’s all for now. See ya.

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smokeheads launch party

So I’m having a launch party for the new novel, Smokeheads. It’s a highly exclusive affair, which is why I’m posting the invite here on my blog. And setting up a Facebook page. And Tweeting about it. Please do come:

You’ll notice that cheeky little logo near the bottom for Smokehead whisky, who are providing free booze at the event. Very nice of them, and a lovely dram it is too, if I may be so bold.

I should mibbes point out that, hand on heart, I did not name my novel after a whisky so that they would give me freebies. Honest. In fact, I didn’t know about Smokehead until after I’d started writing Smokeheads. I first came across the word on a whisky website forum somewhere, referring to fans of Islay whisky, cos of its peatiness and smokiness, and as soon as I saw the word, bam, I had a title.

So what should I call the next novel – Audi are Great? I Want an iPad? Hmmm.

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whisky galore meets deliverance

So, you spend a few months planning a novel, then some more months writing the thing, then some more months editing it. Then if you’re lucky it gets signed up, edited, copy edited, proof read etc, etc. Then you have to boil it down to a Hollywood-style one-line pitch.

So my forthcoming novel Smokeheads is ‘Whisky Galore meets Deliverance‘. More accurately, it’s ‘Sideways-with-whisky-instead-of-wine meets Deliverance‘, but that’s not quite so catchy. Anyway, if you’re having trouble getting a feel for what Whisky Galore meets Deliverance might feel like, here’s a visual aid. Watch this:

Then watch this:

Two happy singalong songs to get you in the spirit of things. Or not. Actually, if you watch them both at once, it’s quite freaky.

But I like this idea of ‘something meets something’. What’s the best we can come up with? Caddyshack 2 meets Crime and Punishment? Dude Where’s My Car meets Paradise Lost? I’m sure you can come up with much better ones. Can you? Please?

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and so it begins

So, just getting geared up for the promotion of Smokeheads, out 3rd March, folks. Been interviewed a few times, and the first bit of coverage has appeared in Hot Press magazine in Ireland, and here it is. In which I slag off the London publishing industry. Doh. Silly me.

Look out for other coverage coming soon, including a mention in a Scottish Review of Books feature on the state of Scottish literature or something, an interview in The Herald and something in The List. More to follow, hopefully.

Also, I recently recorded a podcast with the inimitable Ryan van Winkle of the Scottish Poetry Library, to tie in with the Edinburgh UNESCO City of Literature Let’s Get Lyrical Campaign. In which I extolled all listeners to kill themselves because, and I think I remember this correctly, ‘there are no answers’. How we laughed. Although they might edit that out. I really think I have to brush up on the interview technique. Or maybe not. I’ll link to the podcast once it’s up.

Aye so, that’s all for now. More very soon, especially some news about the launch party for Smokeheads. Which will include FREE whisky. Courtesy of some very nice whisky makers.

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journalism v creativity

So, I was interviewed earlier this week by Peter Murphy at Hot Press magazine. Who also happens to be a novelist as well as a journalist. It was the first interview I’ve done about the next novel Smokeheads, and I’d forgotten what a strange experience it is from the other side.

For the last eleven plus years I’ve been a journalist, music to start with, then a wide range of other shit. It’s only been since my first novel was published in 2006 that I’ve been interviewed myself much, although there was a smattering of it from various bands I’ve been in before that.

Anyway, the interview earlier this week got me thinking again about the strange conflict between being creative and writing about others’ creativity. No band or writer wants to be pigeonholed, as the cliche goes, or compared to others out there, but that’s a handy journalistic shorthand for getting across what the band or writer are like, so what’s the problem?

I’ve never really thought journalism was particularly high-minded, least of all the kind of stuff I was writing, but it always annoyed me when bands got the hump about something I’d written. Journalism doesn’t have the best reputation, but every journalist I’ve known has written with integrity and honesty. My books and albums that my bands have released have had good and bad reviews, and I’ve tended to take it all with a pinch of salt.

I guess it’s important to get good reviews and coverage, to try and get your ‘art’ out there into the wider world, but I find myself less and less bothered about what other people write about what I do. I’ve spent the last year out of the loop mostly, not buying papers or magazines, not reading much journalism, not keeping up with shit, and I find my mental health all the better for it. Whether that state of affairs continues when the next novel is out in March remains to be seen. But I hope not to get hung up on that review panic thing all writers seem to get. At least the ones that aren’t already so rich and famous they can afford not to give a shit.

Aye so, in summary. Being creative is hard. Writing good journalism is hard. Can’t we all just get along? Like, dude.

Dx

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smokeheads final cover

So we’ve settled on a final cover for my next novel, Smokeheads, published by Faber and Faber on March 3rd 2011. Here it is:

Whatcha think? I’m liking it. The proofs were plain, then we had flames, which was a bit flamey, now we’ve got glowing embers around the edge, which does the job, I think. Also a very nice quote from Chris Brookmyre on the front cover. That’ll do, eh?

Can you judge a book by its cover? Yeah, probably.

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bjork and preston falls

So a while ago I performed at the fantastic Words Per Minute. Someone there had a video camera and recorded it. The two tunes I played have turned up on youtube, so here they are.

This is called ‘Bjork Calling Out From The Wreckage’. I haven’t recorded it yet. It’ll probably be an Argentina 78 song. I wrote it on the M6 on the way back from the Big Chill festival, driving past a lot of car crashes. I am obsessed with car crashes, but that’s another story. Anyway.

This is ‘Preston Falls’, which is an old Northern Alliance song. It appeared on our Disaster For Scotland album, which is now sold out. The song is based on my favourite ever novel, Preston Falls by David Gates.

Which is the funniest book about a breakdown ever written. Also, I tagged a little bit of a cover version of a very familiar movie theme at the end. Which seemed to make sense at the time.

That’s all, carry on.

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highlights of 2010

Aye so, I was asked to write my cultural highlights of 2010 by my publisher Faber. They posted it in their excellent thoughtfox blog. You can read it here.

As I mention in it, the best thing on television this year by a country mile was The Trip with Steve Coogan and Rob Brydon. I can’t even really describe why it was good – it shouldn’t have worked, two middle aged comedians drifting around posh restaurants in the north of England, but it was utterly sublime at times, and very brave, especially from Coogan, who played up to his public image and subverted it at the same time. Here’s a clip of one of the sillier moments.

The other thing I didn’t have room to mention in the Faber thing was David Vann’s Legend of a Suicide, which came out in 2009, but I didn’t get round to reading until recently.

A quite astonishing collection of stories about the author’s father, who committed suicide when he was a kid. I can’t really describe why it’s so amazing either, mainly because there’s an event in the middle of the book so utterly shocking and transformative as to make the reader reassess everything that has gone before. And if you know about it, it’ll spoil it. Highly recommended, though.

That’s all for now. Keep warm folks.

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