North Ayrshire Libraries’ Readers’ Day – this Saturday

There will almost certainly* be views like this of Irvine beach out the window. (*beach view not guaranteed)

There will almost certainly* be views like this of Irvine beach out the window. (*beach view not guaranteed)

I’m delighted to be taking part in North Ayrshire Libraries’ Readers’ Day this Saturday 26th October in Dreghorn. Details are here. It’s an all-day thing where myself and fellow authors Douglas Jackson, Shari Low and Marianne Wheelaghan talk to reading groups about our own work and a classic book that each of us has chosen. I’ve gone for James M. Cain’s Double Indemnity. Can’t wait to bang on about it. It’s only a few quid to come, and they chuck in lunch as well, so why not, eh? It’s a little known fact that I was born in Irvine, so technically this is me returning to my roots. That’s just FYI, likes, not important or anything.

Dx

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Dundee Literary Festival is coming this weekend!

Dennis the Menace poses with an enlarged version of the new Beano stamp in front of the Desperate Dan statue in Dundee-765443

Two Dundonian literary giants. Correction, three, Minnie the Minx is lurking at the back.

Aye so, Dundee Literary Festival is coming this weekend, 23-27 October. Check out their fantastic programme here. I’m on at 5.30pm on Friday with the wonderful Denise Mina at the Bonar Hall. The programme is full of treats like Sarah Hall, Jenni Fagan, William McIlvanney, James Robertson and a whole lot more. So come, or I’ll set Dennis the Menace and Desperate Dan on you.

Dx

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My gig at the University of Otago, Dunedin

 

University_of_Otago__Clocktower

Aye so, the book and music gig I did at the University of Otago in Dunedin, NZ is up on their website. It’s an hour of me talking shite and playing songs and blethering and all that. For some reason I had to wear two mics for this gig. And play the guitar directly into a third mic. I don’t know much about life, but that seems like mic overkill. And still we didn’t have enough mics to hear the questions from the audience.

Anyway, enjoy, if you can bear it! There’s some interesting stuff in there about domestic v non-domestic drama, male v female protagonists and writers, Scottish crime writing, etc. This book has definitely thrown up more interesting questions than my previous ones, I think.

Huge thanks to Liam McIlvanney for making it all happen!

Dx

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My review of Liam McIlvanney’s Where the Dead Men Go in the Independent on Sunday

WtDMGo

Aye so, I was delighted to get to review Liam McIlvanney’s excellent Where the Dead Men Go (Faber) in the Independent on Sunday. A really fantastic, 21st century Scottish crime novel. Gutted I only got to write 200 words, I had much more to say about it! Better than nowt, though, eh?

Dx

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My latest Big Issue book reviews

bigissue_cry_final

illustration by Mitch Blunt

OK so here are my latest book reviews in The Big Issue magazine. Two harrowing but brilliant reads – Helen FitzGerald’s The Cry (Faber) and J. Robert Lennon’s Familiar (Serpent’s Tail).

While I’m here I want to give a shout out to the regular illustrator of the books column, Mitch Blunt. His work is consistently brilliant, and always really captures the mood of the books and topics in question. Check out more of his work here.

A bientot! Dx

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A review of Gone Again at Pulp Curry

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Here’s a rather lovely review of Gone Again by Andrew Nette over at Pulp Curry. ‘Razor sharp,’ Andrew says, and he seems like a trustworthy sort. It’s a combo review with Liam McIlvanney’s Where the Dead Men Go, which is an excellent read. Cheers!

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My review of The Cry by Helen FitzGerald in The Independent on Sunday

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Here’s my review of Helen FitzGerald’s The Cry, easily one of my favourite novels this year. It’s fucking terrifying. It’s so terrifying I was describing it to another writer in the pub recently, just telling them what happens in it, and they refused to listen anymore, it was too much for them.

Reviewing this book also threw up some interesting issues about spoilers in reviews, but I’ve hopefully trodden the line carefully in the copy. Great book, anyhoo, do track it down.

Dx

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Me on the telly, kind of

a creepy Scottish doll

a creepy Scottish doll

Aye so, one of the events I did over at the Melbourne Writers Festival was recorded for posterity by ABC, and I think they’ve just broadcast it over there. It was a session entitled Tartan Noir, with me and Liam McIlvanney chatting to Andrew Nette about all flavours of pish. Trainspotting, politics, violence, crime, all that guff.

Anyway, you can watch it in its entirety, if you can stomach it, here.

Enjoy! Dx

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A handful of book reviews

I’ve got a wee bit behind in shoving my journalism stuff up here, what with being on the other side of the world for a while, then picking up a shitty chest infection.

HIGH_SOBRIETY_300dpi_titlecover

Anyway, while I was away, a few of my book reviews have emerged online, namely:

A review in The Big Issue of Jill Stark’s High Sobriety: My Year Without Booze (Scribe) along with a review of The Trip to Echo Spring: Why Writers Drink (Canongate) by Olivia Laing. Two very interesting takes on writers and their relationship with the demon drink.

And here’s my Big Issue reviews of Sounds Like London (Serpent’s Tail) by Lloyd Bradley alongside Niccolò Ammaniti’s Let the Games Begin (Canongate). Didn’t manage a themed-review column, but two fascinating books, one on the history of black music in London, the other a crazy Italian satirical novel.

And here’s my review of D W Wilson’s debut novel Ballistics (Bloomsbury) in The Independent on Sunday. I loved his story collection, Once You Break a Knuckle, but I didn’t feel Ballistics lived up to that. Sorry, DW!

Dx

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MOJO FALLING – a new short story

Here’s a new short story. A bit of context is probably needed. While over in Melbourne recently I was invited to take part in Liner Notes, a cabaret evening where they take a ‘classic’ album, divvy up the tracks to writers, comedians, performance poets, musicians etc, and get each person to come up with a five-minute thing inspired by their track. This year it was L.A. Woman by the The Doors. I got the track ‘L.A. Woman’. Safe to say, I am not The Doors’ biggest fan.

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So anyway, I wrote this and read it on the night, in front of a few hundred punters. Went well, especially the Michael Hutchence joke. And some people actually gasped when the main character set fire to some Doors memorabilia. Go figure. Mind, it was a Friday night, and drink had been taken by all involved.

So here you go, hope you like it. If nothing else, it’ll only take a few minutes of your time to read:

MOJO FALLING
by
Doug Johnstone

She stepped back and checked her handiwork.

He was just coming round. She had no idea how strong the pills were so she’d put three in his jack and coke, to be sure. After he’d passed out he was a dead weight, and she struggled to heave him out to the garage and into the chair. Somewhere along the way he’d pissed his leather trousers. Good, she hated those stupid trousers.

His arms and legs were tied to the chair, tape over his mouth. Blood trickled from his nose where she’d punched his jowly face. Couldn’t resist. His gut stretched Jim Morrison’s face across his T-shirt.

His eyes opened. When he saw her he gave a pathetic grunt.

She walked over to the worktop with the turntable, heels clacking on the concrete. Lifted up the album for him to see. His original pressing of L.A. Woman, signed by the whole band. Twelve hundred dollars in Record Collector. She wasn’t allowed to touch it. She took the record out the sleeve and put it on. His eyes widened. She put the needle on the vinyl and let it play for a bit, creating a moment in her mind. Jim was wanking on about his mojo rising.

She blinked heavily then picked up the hammer. Smashed it down on the record again and again, the skwerk of the needle sliding, the vinyl shattering, then the whole record player in splinters.

He whimpered. It looked like he’d pissed his pants some more.

‘I’ve always fucking hated The Doors,’ she said. ‘You never realised did you? I only pretended to like them at the start to make you like me. How pathetic is that? I hate everything about them – the shitty blues warbling, bullshit Sixties mythology, weak guitar riffs, cliched lyrics – all of it. And Morrison, he’s the worst. Died in a fucking bath, a bloated, deluded wanker. All that leather-trousered rock-god shit. You know what? He was a poor man’s Michael Hutchence at best. At least Hutch had a proper rock and roll death.’

She walked over and punched his face. He slumped in the chair. God, that felt good. It felt great that she’d never have to put up with his macho shit ever again.

She grabbed the metal bucket beside her, showed him the contents. It wasn’t all of his Doors memorabilia, that would take a whole room, but it was the most precious. A signed set list, an original ‘67 tour poster, a gold disc, one of Jim’s necklaces. He’d wasted thousands on this shit.

She lifted the can of petrol and poured it over everything.

He started bleating like an injured lamb.

‘Listen to yourself,’ she said. ‘You’re pathetic.’

She hit him again, this time in the eye. Broke the skin at his eyebrow. He flinched. The feeling of power surging through her was ecstatic.

‘I know about her,’ she said. ‘I read your emails.’

He looked like he was going to pass out.

‘How fucking dare you,’ she said. ‘Cheating on me? Really? You don’t deserve me.’

The worst thing was, this other woman was a Doors fan. They’d met at a fan club convention. And get this for irony, she was from fucking Los Angeles, his real life L.A. Woman.

She took a lighter out her pocket. According to the authenticity document, it used to belong to Jim Morrison. Rumour was he’d lit Janis Joplin’s bong with it. She clicked it till the flame appeared.

He was simpering like a puppy now.

She dropped the lighter in the bin and it went up with a whoosh that sucked air out of the garage. Smoke pummelled upwards, curling into the corners of the ceiling.

He tried to heave himself free, chair legs scuffing on the floor. He was like a trapped, panicky animal. The lizard king had lost his crown.

The smoke was already stinging her eyes. She opened the garage door then approached him. She shushed him and stroked his lank hair away from his face as he made strangled noises, his eye swollen and closed, snot bubbling from his nose. She raised the hammer above her head.

‘This is the end,’ she said. ‘My only friend, the end.’

She brought the hammer down hard on his skull, twice to make certain. Then she dropped the hammer on the floor with a clatter, turned and left, closing the garage door behind her.

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